RaymondR wrote: which is why a landscape shooter should never try and give advice to a city scenes hooter. Polarizing filters are thin panes of glass that are attached to the front of your lens. the polarizer will help the futher off camera the light source is. If you go up to the glass to take photos, you will find that if you use the rubber lens hood method won’t work as there are two panes of glass. But in glass photography, we like to avoid reflections. Here are eight tips and tricks to aid in your glass photography endeavors! Tips and Tricks for Photographing Glass Without a Pesky Reflection. Here are two images, the first was taken during the day and you can see the reflections. >first is had by broad soft light - the second is related to your set as the glass, dark glass more clearly, is a curved mirrored surface, a few stops darker but a mirror all the same..so what your glass sees you will see in the glass. Here is our crisp, clean image taken with both speedlights firing. When you’re trying to take photos at events, museums, aquariums, or any exhibits and displays that are encased in glass, keep glass glare and a few photography tips in mind as you compose your shot. T his is the second in a three-part lesson series that explores photographing reflective glass in a high key style.. By Garry Belinsky. Flect is a simple device I developed to take photos through glass without reflections or glare from the surrounding environment. didn't make it up, just applied my limited knowledge of how the polarizer works for me to manipulate the color of the sky when shooting landscapes to reflections in glass windows, for which there is apparently a different guideline My mistake, and I … If you want to photograph the glass against a more interesting background, or alongside other objects, try to keep the number of visible colors as low as possible. Shadowless and with controlled reflections. 1. The biggest problem with photographing glass objects are reflections.Not all reflections are bad, mind you. Plenty of beginner and professional photographers alike find the glare from shiny objects causes issues with image quality, image exposure, and the ability for a photo to tell a compelling story. Reduce the number of colors in the photograph. Glass throws reflections, which you can approach in two ways: You can either use them in your photos, and end up making them part of the composition, or try to take your pictures in a way that hides the fact that they were taken through glass.With a few basic tactics, you can suppress reflections very effectively and get high-quality photos even without special equipment. So what is the best way This is one of the main issues we face. Among all the challenging photography scenarios you’ll encounter, photographing reflective objects without glare might be the most frustrating. An alternate way to light glass objects is to back-light them, a common studio lighting technique that involves placing the light directly behind the glassware. Including glare off car windshields in sunlight, etc etc etc AND, much easier to carry around with … Use a Polarizing Filter . You might get rid of the reflections off the first pane, but there is not much you can do with the second. However, there are ways of dealing with this… A circular polarizer for DSLR Cameras Use Backlight to Combat Reflections. This is one of my top 3 favorite photos I've ever taken. A good first place to start is investing in a polarizing filter. Glass glare is the result of the reflection of your flash or bright existing lights bouncing off a glass that separates you from your subject. As you can see, there is equal, even light across the entire print, the color balance is good, and the exposure is nailed perfectly. glass reflection problems solved EVERY time. 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